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Volumn 26, Issue 1, 1998, Pages 43-53

The arts as cultural capital among elites: Bourdieu's theory reconsidered

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Indexed keywords


EID: 0002442762     PISSN: 0304422X     EISSN: None     Source Type: Journal    
DOI: 10.1016/S0304-422X(98)00010-2     Document Type: Article
Times cited : (59)

References (14)
  • 1
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    • New York: American Association of Fund-Raising Counsel
    • American Association of Fund-Raising Counsel, 1996. Giving USA. New York: American Association of Fund-Raising Counsel.
    • (1996) Giving USA
  • 3
    • 0004044848 scopus 로고
    • [1979]. Cambridge, MA: Harvard University Press
    • Bourdieu, Pierre, 1984[1979]. Distinction. Cambridge, MA: Harvard University Press.
    • (1984) Distinction
    • Bourdieu, P.1
  • 4
    • 84965736367 scopus 로고
    • Cultural entrepreneurship in nineteenth-century Boston, I: The creation of an organizational base for high culture in America
    • DiMaggio, Paul. 1982. Cultural entrepreneurship in nineteenth-century Boston, I: The creation of an organizational base for high culture in America. Media, Culture and Society 4, 33-50.
    • (1982) Media, Culture and Society , vol.4 , pp. 33-50
    • DiMaggio, P.1
  • 5
    • 84936823793 scopus 로고
    • Cultural capital, educational attainment, and marital selection
    • DiMaggio, Paul and John Mohr, 1985. Cultural capital, educational attainment, and marital selection. American Journal of Sociology 90, 1231-1261.
    • (1985) American Journal of Sociology , vol.90 , pp. 1231-1261
    • DiMaggio, P.1    Mohr, J.2
  • 6
    • 85067330042 scopus 로고
    • The arts in class reproduction
    • Michael W. Apple (ed.). London: Routledge
    • DiMaggio, Paul and Michael Useem, 1982. The arts in class reproduction. In: Michael W. Apple (ed.), Cultural and economic reproduction in education, 181-201. London: Routledge.
    • (1982) Cultural and Economic Reproduction in Education , pp. 181-201
    • DiMaggio, P.1    Useem, M.2
  • 9
    • 0000411023 scopus 로고
    • The audience for abstract art: Class, culture, and power
    • Michèle Lamont and Marcel Fournier (eds.). Chicago, IL: University of Chicago Press
    • Halle, David, 1992. The audience for abstract art: Class, culture, and power. In: Michèle Lamont and Marcel Fournier (eds.), Cultivating differences: Symbolic boundaries and the making of inequality, 131-151. Chicago, IL: University of Chicago Press.
    • (1992) Cultivating Differences: Symbolic Boundaries and the Making of Inequality , pp. 131-151
    • Halle, D.1
  • 10
    • 33645372295 scopus 로고
    • New York, Charleston, Chicago, and Los Angeles. Urbana, IL: University of Illinois Press
    • Jaher, Frederic Copie, 1982. The urban establishment: Upper strata in Boston, New York, Charleston, Chicago, and Los Angeles. Urbana, IL: University of Illinois Press.
    • (1982) The Urban Establishment: Upper Strata in Boston
    • Jaher, F.C.1
  • 12
    • 84928505053 scopus 로고
    • Cultural capital: Allusions, gaps and glissandos in recent theoretical developments
    • Lamont, Michèle and Annette Lareau, 1988. Cultural capital: Allusions, gaps and glissandos in recent theoretical developments. Sociological Theory 6, 153-168.
    • (1988) Sociological Theory , vol.6 , pp. 153-168
    • Lamont, M.1    Lareau, A.2
  • 13
    • 33645371284 scopus 로고    scopus 로고
    • Twentieth century cultural patronage
    • n.d. Center for the Study of Philanthropy, City University of New York
    • McCarthy, Kathleen D., n.d. Twentieth century cultural patronage. Working paper, Center for the Study of Philanthropy, City University of New York.
    • Working Paper
    • McCarthy, K.D.1


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